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Notations - between drawing and sculpture
The Cut, Halesworth
2017

Silent Notation
Chelsea Futurespace, London
2011

Navigation Menu

  • Bio
  • Work
  • Exhibitions
  • Catalogues
  • Selected Articles
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Navigation Menu

  • Bio
  • Work
    • Sculpture
    • Paintings
    • Drawings
  • Exhibitions
  • Catalogues
  • Selected Articles
  • Contact

Navigation Menu

  • Bio
  • Work
  • Exhibitions
  • Catalogues
  • Selected Articles
  • Contact

Navigation Menu

  • Bio
  • Work
    • Sculpture
    • Paintings
    • Drawings
  • Exhibitions
  • Catalogues
  • Selected Articles
  • Contact

Notations - between drawing and sculpture
The Cut, Halesworth
2017

Silent Notation
Chelsea Futurespace, London
2011

Matt Rugg
Galleria Del Naviglio, Milan
1965

Notations - passages, intervals
The Cut, Halesworth
2022

Early and Late Works
New Art Centre
2023

The Many Languages of Sculpture
Lund Humphries
2023

Words by Phyllida Barlow
New Art Centre
2022

 

“Examining for the first time the life and work of the sculptor Matt Rugg (1935 – 2020), Michael Bird’s impeccably researched text vividly charts Rugg’s parallel careers as highly original artist and inspirational teacher. This book covers the full range of Rugg’s output, from his distinctive ‘painted drawings’ to large-scale metal constructions, and the unifying strands in his thought, skilfully drawing together his work, ideas and influential role as an educator. Lavishly illustrated, it charts successive phases of Rugg’s continuous experimentation with found industrial materials and form, and the subtle interrelationship in his work between two and three dimensions.

Dr Harriet Sutcliffe’s doctoral research into the Basic Course led by Victor Pasmore and Richard Hamilton at King’s College, Newcastle in the 1950s and 1960s provides fascinating insights into both Rugg’s oeuvre and

formative developments in modern British art practice and pedagogy.”

From Matt Rugg: The Many Languages of Sculpture


©2025 The Estate of Matt Rugg. All Rights Reserved.

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